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Showing posts with label fashion. Show all posts
Showing posts with label fashion. Show all posts

Tuesday, March 05, 2019

Book Review: Lizzie Houghton - Felting Fashion


Felt is one of the most ancient of textiles, felting one its most ancient techniques. That felt is still very much with us today, and the techniques are still fresh, viable and sought after, when so many other textile traditions have fallen into disuse or been discarded by more recent technology, says much about the method, and the durability of the fabric.
Felting is a great teaching technique. It is fun to do, it is a hands on technique, and the results are always vibrant and durable. What’s not to love?
The renowned feltmaker Lizzie Houghton has published a book that should be a must for all feltmakers, and indeed potential feltmakers. Felting Fashion: Creative and Inspirational Techniques for Feltmakers (published by Batsford), is a book that is project-based, with a whole range of practical, easy to follow projects for wearable felt, anything from hats to jewellery, vest tops to coats.
All the projects in the book feature Lizzie’s stunning and original design work, and the book guides the reader through every stage of feltmaking, from choosing materials and equipment, to embellishing and dyeing your own wools and silks.
If you want a book that is going to take you from wishing to wear the unique and the original, to actually creating unique and original clothing, then this is the book for you.
Lizzie Houghton trained as a fashion designer and has always been a clothes maker. Specialising in felt textiles, she exhibits widely and sells her wearable art throughout the UK and Europe. She teaches workshops on feltmaking and dyeing from her studio in Penzance, Cornwall.
Felting Fashion is widely available from the specialist textile art and design publisher Batsford.


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Tuesday, March 20, 2018

ARTIST: Lidija Seferović


The designer and artist Lidija Seferović who is renowned for eclectic designer scarves and textile art on silk.

Born and raised in Dubrovnik, Croatia, Lidija Seferović expresses her creativity through paintings on silk in the form of eclectic designer scarves and textile art - everything is hand-drawn by Lidija in her London studio.

Having always enjoyed drawing and art, even in an abstract sense, Lidija enrolled at the Luka Sorkočević Art School of Dubrovnik before embracing her love of fashion at the State School of Fashion Design in Stuttgart, Germany.



Then moving to London, Lidija continued her studies at the London College of Fashion where she received a BA in Womenswear, after which she pursued a career in fashion, in which she has designed, illustrated and embroidered for the likes of Alexander McQueen, Philip Treacy, Bruce Oldfield, and Ralph & Russo.

Classically trained in portraiture, figure drawing and sculpture, both Lidija's designer scarves and textile art embrace a variety of medium techniques (oil, aquarelle, pencil) to project peculiar yet lively, imaginative stories onto stretched silk canvas.

Mainly, Lidija aims to create items that not only work as incredibly stylish fashion items but also as pieces of art suitable for display alone, in their own right.



As well as committing herself to at least one collection of designer scarves a year, Lidija creates bespoke items, including designer scarves and pocket squares, and textile art for private clients.

Discover more of Lidija Seferović's work via her website: http://lidijaseferovic.com/

Limited edition artwork stretched on wooden battens is also available via Saatchi Art at: https://www.saatchiart.com/lidijaseferovic



Monday, August 01, 2016

Love Thy Denim Exhibition

Ian Berry: Journey Home, 2013. Photo credit: courtesy of the artist ianberry.org

From workwear to haute couture, historical to contemporary, rebellion to endeavour, a new exhibition opening this August, Love Thy Denim, celebrates the many faces of our beloved denim.

This exciting and impressive fashion exhibition will explore the origins and versatility of denim, from its workwear heritage in the Wild West right through to its adoption into mainstream fashion and becoming the fabric of our everyday lives.

There will be many key pieces on display, including a jacket and trousers from Vivienne Westwood’s 1991 Cut, Slash and Pull collection, the first time that this ensemble has been out on loan from the Victoria and Albert Museum (the V&A). Among the other exhibition highlights are a Jean Paul Gaultier men’s ensemble on loan from the Fashion Museum Bath, a piece from Maison Margiela’s SS2009 Artisanal Collection, exhibits from British denim revivalists Blackhorse Lane Ateliers and nineteenth century denim artefacts dug up from US silver mines.

Jean Paul Gaultier: Denim ensemble, c1990s. Photo credit: Fashion Museum, Bath

Also on display will be the ISKO Commission, a spectacular dress made from different shades of denim supplied by the exhibition’s partner ISKO™, global leader in denim manufacturing and textile innovation. Designed by Kylie Crompton-Malcolm of Monday I’m In Love and created in collaboration with pattern cutter Russell Wharton, the concept behind the ISKO Commission is to show the versatility and beauty of denim.

The emphasis is not just on fashion and clothing. Alongside will appear iconic denim advertising images, denim accessories including sunglasses and even denim art made from the world’s favourite cloth.

Maison Margiela Denim Ensemble, SS2009 Artisanal Collection. Photo credit: Jacques Habbah

“We are so excited to have such an extraordinary and eclectic variety of pieces to show at what promises to be a thrilling exhibition,” said Janet Owen, Chief Executive at Hampshire Cultural Trust, organiser of Love Thy Denim.

“To have pieces as varied as 19th century denim from US silver mines, to a jacket by Hannah Jinkins, winner of the 2016 H&M New Designer Award, is an incredible privilege, and a great celebration of this simple cloth which has made such a huge impact on our society.”


Love Thy Denim opens in The Gallery, Winchester Discovery Centre on Saturday 27 August, and runs until Sunday 23 October. It then opens at the Gallery @ Gosport Discovery Centre on Saturday 29 October. Admission to both venues is free of charge, donations are welcome.

Hannah Jinkins: Denim jacket, AW 2015. Photo credit: Prexa Shrestha

About Hampshire Cultural Trust
Hampshire Cultural Trust operates and funds Hampshire’s and Winchester’s council-owned museums, galleries and arts centres. The trust proudly champions world-class culture and exists to showcase, connect and empower Hampshire’s creative economy.

The independent charity works collaboratively to bring organisations, people and ideas together for greater impact, with customer focus at its core. To find out more and for a full list of attractions operated by Hampshire Cultural Trust visit www.hampshireculturaltrust.org.uk


About Isko

ISKO™ is a company of SANKO holding and the world’s largest denim manufacturer under one roof: production capacity of 250 million metres of fabric each year in a 300,000 m² factory. With a wide range of innovative fabric technologies and products that meet the most diverse demands of the denim sector, ISKO™ is geared towards the market’s high end. ISKO™ operates in 60 international locations and has secured many patents and trademarks to protect the value of its innovations. Its environmentally-friendly approach is being certified by authoritative institutions and ISKO™ has also become the only denim mill globally to receive Nordic Swan Ecolabel with ISKO EARTH FIT™ platform.

To find out more about ISKO™, please visit www.iskodenim.com


Hampshire Cultural Trust would like to thank the supporters of Love Thy Denim:

Hampshire County Council

Winchester City Council
Gosport Borough Council
Arts Council England

Monday, July 04, 2016

Sheree Dornan - Living Art

Sheree Dornan: Boro(d) digital print cascade dress

It is always wonderful when art takes a broad stroke, when it transfers itself from one designation to another, one discipline to another, one world view to another. To connect art to a place that seems to others to be outside of itself, outside its natural remit, is to really understand art, to understand its central purpose in our lives.

Art is not there to be rarified, to be part of an ever accumulating collection, something to be passed on to future generations to maintain and then pass on again. Art is there to be lived, to be part of the now, it is there to be wrapped around the psyche, to be part of the everyday as much as it is of the special. Which is why art and design connections are particularly special.

Sheree Dornan: Boro(d) digital print on silk

Sheree Dornan: Boro(d) digital print on silk

From fine to design doesn't always work of course, there have been many disasters, many half attempts, many ill-considered ones as well. Often, art was stuck on top of a discipline, as if it were merely a form of signature from a particular artist, that it would somehow give cache to the discipline it was attempting to attach itself to. However, when it works well, when the connection is focused, sympathetic, and understood, then it works exceedingly well. 

The artist and designer Sheree Dornan has certainly succeeded in connecting and combining art and costume. Her beautiful works are so effortlessly interchangeable between fine art on a wall, and fine art on a body. This is no mere decoration of a garment, but is in fact an art piece draped upon a living person.

Sheree Dornan: Boro(d) digital print, detail

Sheree Dornan: Boro(d) digital print, detail

With minimal cutting and no waste Sheree is able to provide elegance and flow to her work. Garments appear to move as if the body that wears them is still part of the artwork, which in many ways they are. To wear a costume by Sheree is very much wearing a piece of artwork by Sheree, the two are connected so organically, that the space between one and the other cannot be seen.

Boro(d) is the name Sheree gives to her featured work. She cleverly uses the borrowed word  and technique of boro, and places it within the larger context of Boro(d), and although indeed borrowed, Sheree has made this technique and process her own.

Sheree Dornan: Boro(d) digital print, detail

Sheree Dornan: Boro(d) digital print, detail

Boro is derived from the Japanese term meaning something that is tattered and/or repaired. It is a word and definition that has many explanations, and many particular and conceptual meanings depending on who you are, and how you want to see it. But it is about the continuation of a piece of cloth, one that is maintained and added to over the years, allowing the integrity of the piece to remain even as it is modified and added to throughout its history, rather like maintaining a family quilt through constant repair.

Sheree produces her borrowed concept of the boro, her boro(d), using a working process that focuses on specialised digital printing techniques onto selected silk base cloths, producing limited edition runs of each print design. 

Sheree Dornan: Boro(d) hand dyed, hand stitched panel

Sheree Dornan: Boro(d) hand dyed, hand stitched panels

She uses mostly rectangular pieces that can be either made into fine art hangings, or suspended, or draped wall panels, or they can be formed into garments by draping them onto a mannequin with minimal cutting and no waste. Each garment becomes, but its very existence and making journey, an individual piece, with no other copy, no short or long runs, just the individual piece in its entirety.

Hand editing is done on each piece with embellishing techniques such as stitching and beading. The hand editing is applied to both the fine art wall panels as it is to the fine art garments, in many ways making it even more apparent that the creative techniques and process is the guiding line between fine art and costume, so that art becomes costume, and costume becomes art. 

Sheree Dornan: Boro(d) installation fashion forms exhibition

Sheree Dornan: Boro(d) mixed media on canvas

This is the defining point in Sheree's work, that combination of art and design, of wearing a garment that has been part of the process of fine art, because it is fine art. Being closely connected to an artwork is always a difficult process for many, but to be mesmerised by wearing a piece of fine art work, to be integral to the canvas, it couldn't get much better than that.

More of Sheree's work can be found at her website: www.shereedornan.com and www.blockdstudios.com.au

Sheree can also be found on social media: twitter, facebook, instagram

She is also one of 35 artists featured in the book Textile Visionaries: Innovation and Sustainability in Textile Design by Bradley Quinn

Please be aware that all of the imagery provided for this article, was indeed provided by Sheree. If you want to reproduce any of the images of her work, please ask her first. Thanks!

Sheree Dornan: Boro(d) panel detail with digital print boro patches