EXHIBITION: DAMIEN DREW

Black Eye Gallery is pleased to announce the September 2017 exhibition:

WABI- SABI by Damien Drew.

The Japanese concept of Wabi-Sabi is an appreciation of a transient and understated beauty in the modest, imperfect, ephemeral or decayed. Drew’s exhibition expresses this notion through his perspective of modern day Japan.

Japan has one of the world’s largest economies and a population that is shrinking due to low birthrates. With employment opportunities predominantly found in large urban centres there has been a marked decline in rural regions. Drew’s images seek to document that which is temporary and to celebrate its beauty in turn. The viewer is invited to consider details and qualities in paired scenes that may be inconspicuous, congruent or contrasting. In a world that is increasingly homogenised through global retail chains, Drew carefully observes

the melancholy beauty of the many towns and villages that have now become neglected.

“We do not dislike everything that shines, but we do prefer a pensive lustre to a shallow brilliance, a murky light that, whether in a stone or an artefact, bespeaks a sheen of antiquity. We love things that bear the marks of grime, soot, and weather, and we love the colours and the sheen that call to mind the past that made them.”

- From Jun'ichirō Tanizaki, ‘In Praise of Shadows’ 1933

Damien Drew is also an award-winning Art Director and Production Designer whose feature film credits include Alien Covenant, Superman Returns, Star Wars, The Great Gatsby and The Matrix films.

Exhibition details – September 5 – 24, 2017

Opening night- Friday September 8, 6-8pm

Mandatory credit line:

From WABI-SABI by Damien Drew, courtesy of Black Eye Gallery.

For inquiries, images and interviews with the artists please contact

Kath Wasiel 0411 806 958 kath@blackeyegallery.com.au

3/138 Darlinghurst Rd, Darlinghurst 2010 02 8084 7541 blackeyegallery.com.au Tues-Sun 10am- 6pm

The Work of the Artist Dennis Potter

Illustration: Dennis Potter. Big Boro

Japan and Japanese culture has both fascinated and inspired creative individuals across the planet for generations. The defined nature of Japanese culture, both in the visual and in the conceptual, lends itself to a broad interpretation and reinterpretation by artists from a range of backgrounds and disciplines.

The artist Dennis Potter is inspired by a number of different elements of Japanese, and East Asian culture. He has travelled and lived in a number of environments through East Asia, and has been correspondingly influenced within his creative work by those environments.

Illustration: Dennis Potter. Big Boro, detail

One specifically Japanese inspired creative theme that Dennis has used in his work, is that of the kimono, more specifically the hakui, which is a kimono worn by Buddhist pilgrims who circumambulate the Japanese island of Shikoku. This specific and simple garment works as a metaphor for experience and memory, because it is inscribed with both printed seals and brush painted blessings and sutra written by monks visited by the pilgrim whilst wearing the kimono.

The kimono of the pilgrim becomes the skin of their experience whilst they are on the island. It becomes transformed by creative art, and by the experience of the pilgrimage. Therefore, walking the long treacherous path around the island, the kimono becomes worn, stained, rain washed, and faded, it becomes an artwork of experience, the experience of the pilgrimage, and in turn the experience of the pilgrim.

Illustration: Dennis Potter. Japanese Rain kimono

Dennis has taken the idea of the pilgrimage kimono and worked it creatively into his work. The kimono's that he produces are a cultural hybrid, or "quote" of the hakui, taken from the stance of a westerner with a painterly background. 

Dennis works in a range of materials and has very much based himself within the mixed media discipline. His kimono's are complex layered works that use and reuse themselves within each composition. In many respects, the artist plays with the conceptualisation of the pilgrimage, the idea that a costume can become a noted pathway of experience, that it can highlight moments and directions, pauses and changes in direction, the fundamental apparatus of all our lives, the trajectory of our experiences.

Illustration: Dennis Potter. Flax kimono

These are indeed extraordinary pieces that tell of the unique experience of the artist, but also tell us something of ourselves. Dennis kimono's show us the patchwork of our lives, the bringing together of experiences, connections, meetings, and partings, of the joy and confusion, the calmness and stress, the jumble of contradictions that is a life lived.

This article can only show a small sample of the artists kimono work, which in turn is a small sample of the artist's life work. Dennis has a wealth of creative and observational experience, and he pours that liberally into his work, hence the great range of work that he has been producing. His work can be found at his comprehensive facebook site, where he has arranged an album of his kimono compositions, as well as regular updates of his work in progress.

Illustration: Dennis Potter. Flax kimono, detail

Please be aware that the images for this article were kindly supplied by Dennis, and are therefore his property, please don't use them without prior permission from Dennis himself.